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There will be crunch this fall. "Crunch" as in furiously intense action from Thailand. "Crunch" as in Tony Jaa, madder than ever. "Crunch" as in Ong Bak 2, directed by and starring Jaa, now set to enliven the autumn theatrical release schedule. And if you can't wait until October 23, well, you can sit at home and watch the movie on September 25, according to Wise Kwai's Thai Film Journal.

Magnolia Pictures acquired rights to the film for its genre label Magnet in February and it was showcased at South by Southwest the following month. As I wrote at the time, Ong Bak 2 "features numerous insanely awesome fight scenes. Jaa explodes in every direction, his arms and legs delivering lethal blows as he lays waste to a variety of opponents, employing all manner of martial arts, straight fighting skills, and amazing dexterity with a variety of bladed weapons." To be fair, the pace is sometimes lumbering, and narrative clarity is not a strong suit, but those fight scenes are something glorious to behold.

Wise Kwai points to the official U.S. web site, which is only a placeholder right now, and to Mark Pollard's comments at Kung Fu Cinema about Magnolia's plan to make the film available on cable VOD, Amazon, and Xbox Live one month before the theatrical release. That's in line with how Magnolia has marketed and released other recent releases, and, in view of the modest returns for the original Ong Bak: The Thai Warrior a few years ago, makes good business sense. Meanwhile, Ong Bak 3, which will hopefully clear up some of the loose threads from OB2, is scheduled for release in Thailand in December.

Erotic Vampires. Park Chan-wook's Thirst will have its international premiere at the upcoming Cannes Film Festival, but it's already opened in its native South Korea. In his review for Screen International, Darcy Paquet says that the "visually arresting vampire movie Thirst looks certain to create a stir: adopting a more lyrical mode than before, this complex and supremely inventive work sees the filmmaker back on top form."

I've read the knowledgeable Paquet at his site Koreanfilm.org for years, so his opinion is very encouraging, especially when you consider Park's best work includes Old Boy, Sympathy for Mr. Vengeance, and Joint Security Area. [Via In Contention.] Even better: those of us in the US don't have to wait long to see it. Focus Features will release Thirst in July.

Gentle Fish. If you haven't marked August 14 on your calendars yet, please do so now. That will mark the US theatrical debut of Hayao Miyazaki's Ponyo, the master filmmaker's latest work of art. The plot revolves around a princess who just happens to be a goldfish, and her desire to grow legs and walk on land. She develops a friendship with a 5-year-old boy who tries to help her realize her dream. The poster and a still can be viewed at Ain't It Cool News.

Under John Lasseter's committed oversight, Walt Disney Pictures has done right by Studio Ghibli so far, making the original Japanese-language version available at some venues and ensuring that the English dubbing is as faithful as possible. While we wait for the inevitable English-language trailer, here's a teaser, evidently for its release in France, that is silky, poetic, and non-verbal.

Indonesian Insanity. A young man from a small rural village goes to a big bad city, rescues a girl, and engages in serious butt-kicking. Ring any bells? The upcoming Merantau may sound like an Indonesian Ong Bak, but the success of any martial arts film depends entirely upon the execution. Judging from the official trailer, which arrived this weekend courtesy of Todd Brown at Twitch, I'd say that Merantau is an excellent contender for this year's action crown. Written and directed by Gareth Evans, the film stars Iko Uwais and showcases the silat discipline of martial arts. You can watch the gorgeous, high-def trailer and find much more information at Twitch.

Translated Japanese. Sony Pictures has acquired the rights to Blood: The Last Vampire, Chris Nahon's live-action adaptation of an anime series that I remember as pretty darn good. "Demons have infested the earth," says the official synopsis. "And only one warrior stands between the dark and the light: Saya (Gianna Jun), a half-human, half-vampire samurai." Nippon Cinema has the new trailer for the film, which is reportedly due in theaters this summer. The effects-heavy flick looks like it could be a cheesy disaster -- complete with the lead actress speaking English phonetically -- though I hope it meets the minimum standards of entertainment.

This week's Asian Cinema Scene travels to Hong Kong and Los Angeles, showcasing recent and upcoming films.

Hong Kong Film Awards. Wilson Yip's galvanizing martial arts biopic Ip Man won the Best Film award at the annual ceremony held on Sunday, according to China Daily. Donnie Yen stars as a respected Wing Chun master who ultimately is forced to use his martial arts skills to defend his country's honor against the invading Japanese in the late 1930s. Sammo Hung and Tony Leung Siu-Hung deservedly won the Best Action Design award for their work on the film. (My capsule review and the trailer.)

The other big winner doesn't feature any martial arts or big battle scenes. Low-budget drama The Way We Are won for Best Director (Ann Hui), Best Actress (Bau Hei-Jing), Supporting Actress (Chan Lai-Wun), and Best Screenplay (Lui Yau-Wah). Edmund Lee in Time Out Hong Kong sniffed that it's a "crowd-pleasing film that, lamentably, is a contrived attempt at social commentary," while Lunapark6 was more impressed: "Ann Hui ... creates a quietly moving arthouse film ... to show life as it is for at least some of the Hong Kong regular folks." The trailer is embedded below.

Nick Cheung was honored as Best Actor for his haunting portrayal of a murderous child stealer with his own emotionally-wrenching back story in Dante Lam's Beast Stalker. Liu Kai-Chi took Best Supporting Actor for his performance in the same film. (My capsule review.) John Woo's big budget Red Cliff received five awards in the technical categories. The complete list of winners and nominees can be found at LoveHKFilm.com.

After the jump: Highlights of the Indian Film Festival of Los Angeles, which starts tomorrow.

The weekly Asian Cinema Scene returns to share recent news and answer reader mail.

Breasts Spark Concern. An upcoming sports comedy is creating consternation in Japan. The movie's title, Oppai Bare (AKA Boobs Volleyball), reportedly has embarrassed both theater owners and potential moviegoers because of what "oppai" means, so theater marquees and movie tickets will display the title as O.P.V. Evidently everyone is OK with the premise, in which a high school teacher promises to show her breasts to her all-male volleyball team if they win the big game. The film, directed by Eiichiro Hasumi, releases on April 18. Twitch has the trailer; it looks like a pleasant, feel-good flick. [Cinema Today, via Toronto J-Film Pow Wow.]

Recent Releases. Derek Yee's Shinjuku Incident, starring Jackie Chan in a straight dramatic role (no kicking, no punching), opened the Hong Kong International Film Festival a couple of weeks ago and has now opened in Thailand, where Brian of Asian Cinema - While on the Road saw it: "It has to be said that Jacky is really not all that great a dramatic actor and I think this hurts the film overall." Still, he found the film to be "quite compelling." (Trailer can be viewed here.)

Takashi Miike's Crows Zero II has opened in Japan, and Mark Schilling of The Japan Times says: "As in the first film, the brawls are nearly nonstop ... the group battle scenes, with hundreds of punks whaling on each other, have a scale and impact reminiscent of the gaudier clashes in Braveheart ... Miike directs with an energy, velocity and cheeky bravado that are pure punk." Check out the trailer, embedded below.

After the jump: Nippon Connection opens this week. Plus, a reader asks, 'How do you find your own local Asian cinema scene?'

We bring you this week's edition of Asian Cinema Scene live from Austin, Texas. SXSW is not particularly known for the Asian films it programs, but I've been able to see one high-profile action flick and one intriguing, arthouse-style documentary.

Ong Bak 2
As I've previously noted, the directorial debut of martial artist supreme Tony Jaa features numerous insanely awesome fight scenes. Jaa explodes in every direction, his arms and legs delivering lethal blows as he lays waste to a variety of opponents, employing all manner of martial arts, straight fighting skills, and amazing dexterity with a variety of bladed weapons.

His character, Tian, is much darker than the ones he's played in Ong Bak and The Protector. Tian witnessed the murder of his parents in front of his eyes, turning him from a sweet child into a revenge-bent killing machine. Narrative clarity is not a strong suit for the film, but did anyone expect that it would be? The period setting justifies the sometimes lumbering pace, and Ong Bak 3 should (hopefully) answer any lingering plot questions. Magnolia Pictures' Magnet Releasing acquired US distribution rights, and a theatrical release of some kind has been promised.

Our friend Wise Kwai, Thailand-based writer and reviewer, provided a bemused, comprehensive roundup of Twitter talk ("awesome was used a lot") and notes that some "were more impressed with the winner of the beer-chug contest held before the film." He also linked to several full-bore reviews, including this great pull-quote from Blake at Cinema is Dope: "Puts [Jaa] up there with the likes of Bruce Lee ... [the film's] Stanley Kubrick-like approach to constructing action with full lush epic and grandiose details and colors and attention to every aspect of its construction will lead this film to be discussed for a damn long time."

Subtitle of the Week: "My kung fu skills aren't too bad, eh?" -- Donnie Yen in Ip Man.

This week's edition of Asian Cinema Scene includes capsule reviews of films that were recently released on DVD in Asia.

Departures Takes Off: Yojiro Takita's drama Departures, the Academy Award winner for Best Foreign-Language Film, was a popular success during its initial run in Japan last fall. It resurged in the wake of the Oscar victory, ascending to the top of the charts. Departures also swept the 32nd Annual Japanese Academy Awards two days before the Oscars. The director's follow-up film, Sanpei the Fisher Boy, is due for release later this month. [Sources: Screen Daily; Japan Times; Toronto J-Film Pow-Wow; Nippon Cinema.]

Ip Man Inspires: Biopics are always better with martial arts, aren't they? Highly respected Wing Chun master Ip Man (Donnie Yen) lives a comfortable life in Fo Shan, China, but after the Japanese invade in 1937, he is reduced to living with his wife and young son in abject poverty. He works humbly alongside his fellow countrymen in a coal factory until he is forced to use his martial arts skills to defend his country's honor against the Japanese.

Teaming again with director Wilson Yip (SPL, Flash Point), Yen is perfectly suited to play the stoic, peaceful man who refused to buckle under to imperial rule. Simon Yam plays a factory owner and Hiroyuki Ikeuchi embodies General Miura. The great Sammo Hung choreographed the action scenes, which are pretty terrific. I don't think it's a spoiler to say that Ip Man eventually counted Bruce Lee among his students. (Trailer embedded below.)

After the jump: Brief looks at Beast Stalker and Legendary Assassin -- plus trailer!

In this week's edition of Asian Cinema Scene, we cover the unexpected and the surprising.

Oscar Shocker: One of the few genuine surprises of last night's Oscar telecast was the victory by Japan's Departures (Okuribito) as Best Foreign Language Film. Most observers thought that Israel's Waltz with Bashir or France's The Class would win; the former won the Golden Globe, while the latter picked up the Independent Spirit Award.

Of course, most observers haven't actually seen Departures, which played the Montreal film festival rather than Toronto last fall, and had its US Premiere at the Hawaii Film Festival shortly thereafter. As I reported in January, Regent Releasing acquired distribution rights and announced summer release plans. Regent has already updated the film's official site to reflect the Academy Award victory, but there's no word yet on whether they might push the release up to take advantage of the attention.

Yojiro Takita's film follows a young musician who is forced to take a job preparing corpses for cremation. It's a movie about "finding your bliss, even if the world thinks your bliss is odd, icky and a marriage breaker," as described by Mark Schilling in The Japan Times. Four subtitled clips are available at the official site.

Banned in China: As disheartening as it may be to hear, it's not really surprising that China's censors refused to pass Derek Yee's Shinjuku Incident because it is "too violent," according to the director (as reported by Variety). What is surprising is that the film stars Jackie Chan. The excellent-looking trailer is embedded below.

After the jump: More on Shinjuku Incident.

Subtitle of the Week: "He feels uncomfortable if he doesn't hit a Japanese every day." (Source below.)

Distribution. The big acquisition news last week was the announcement that Magnolia Pictures had picked up US rights to Thai action flick Ong Bak 2, directed by and starring Tony Jaa. Magnolia sank a fair amount of marketing money into the first Ong Bak and sent the film out into hundreds of theaters. The financial returns were modest (reportedly under $5 million, theatrically), but I'm guessing that the home video returns were good enough to warrant further investment in "the Tony Jaa business."

The announcement, partially quoted at indieWIRE, says that Ong Bak 2 "will be released via Magnolia's genre label Magnet later this year." (Wise Kwai has the complete press release plus further thoughts on the deal.) Magnet's theatrical releases have varied from token (Chocolate) to extensive (Let the Right One In), so we'll have to wait to see what will happen to Ong Bak 2, though I'm hoping it's out in the US before Ong Bak 3 hits Thailand in December.

Trailer. Of course, Thailand doesn't have a monopoly on action movies. Back in the day, it was Hong Kong that set the standard. A friend has been urging me to check out Dante Lam's The Beast Stalker, starring Nicholas Tse and Nick Cheung, which came out on DVD in Asia last month. I liked Lam's earlier work (Beast Cops, Jiang Hu: The Triad Zone), but hadn't kept up with him lately. I finally took a look at the trailer, embedded below, and instantly placed my order. (Thanks, Blake!)

After the jump: the very adult DVD of the Week, and the source for our Subtitle of the Week.

Welcome to the first weekly edition of Asian Cinema Scene. I've written about Asian films under this moniker irregularly in the past; from now on, you can look forward to a fresh new post every Monday. (Unless something emerges from a river and snatches me in its tentacles.) Some weeks I'll concentrate on one film; today I'll roundup a few items of interest from the past week.

Sweet treat. The awesome Thai action flick Chocolate got midnight screenings Friday and Saturday in select markets, courtesy of Magnolia Pictures. It looks great on the big screen, especially with an appreciative audience, but if you missed it, don't despair; look for details on the DVD release in tomorrow's Spin-ematical.

Non-deals. Will recent higher-profile Asian flicks like Tony Jaa's Ong Bak 2 or John Woo's Red Cliff (with the two parts edited into one epic) ever sell to US distributors? The European Film Market is happening this week in Berlin, and I'm keeping my fingers crossed that we hear something. Meanwhile, Red Cliff 2 is opening across Asia in staggered release; check one of the trailers below.

Consumer beware. DVD label Dragon Dynasty has taken a serious backward step with their decision to release The Enforcer (AKA My Father is a Hero), starring Jet Li, without the original-language Cantonese audio track. Mark Pollard of Kung Fu Cinema reviewed the new edition in detail, and also posted a response by Genius Products, distributor of the Dragon Dynasty line, to criticism expressed online, in which they claim no usable version of the original audio was available in time for the release. It's a good, crunchy action flick directed by Corey Yuen, and deserves better.

After the jump: Variety Asia says goodbye. Plus, which four films are represented in the image above? No peeking!