Cinematical

I'm about to make a very unpopular comparison, one that surely will have some fans trying to revoke my own Whedon fandom: Bella, Buffy, and the bloodsuckers from Twilight and Buffy aren't all that different.

I say this as someone who only left her house once during the seven seasons of Buffy night, who watched each episode countless times, and amassed a huge pile of memorabilia. I say this as someone who has read Stephenie Meyers' series and enjoyed it for the ways it reflected and improved on my own fluffy YA reading (The Vampire Diaries), and knocked it for the Mormon-esque message underneath.

I haven't ignored my fandom; I just can't help but see the myriad of similarities between the two characters, ones that make Buffy owning Edward seem quite hypocritical. The power behind the slayer comes from Joss Whedon and the themes explored throughout her story -- not from the character herself. Strip away the story arcs and implied messages, and you've got a troubled woman who is no better off than Bella.

Hey, remember the Morgan Freeman / Antonio Banderas thriller, The Code (also known as Thick as Thieves)? No? That's ok, no one does! This poor film was doomed to go straight to DVD shelves, but there it was not forgotten. Home Media Magazine reports that the flick topped the rental charts last week, deftly knocking Gran Torino out of #1. (Mr. Freeman, did you call and crow over your pal Clint for that one? If not, you should. I'm sure he'll get a good laugh.)

Scott Weinberg believes this is the first DTV movie to ever top the rental charts. If anyone out there knows of another one that has, you should correct him. But for now, history has been made by Mimi Leder!

The plot follows an aging jewel thief (Freeman) and the uppity young Turk he recruits to help him pull off one final job. They're not going after just any family jewels, but those most treasured by the Romanovs -- Faberge eggs! The ultimate goal of the heist is to pay off the Russian mob, and I'd like to think Banderas and Freeman are stealing the Faberge eggs just to really piss them off. Meanwhile, Radha Mitchell gets in between them, and makes things sexy. Check out the trailer below the jump, and contemplate renting it for yourself. It topped the rental charts, and millions of people can't be wrong!

Well, leave it to the comedy duo of Will Ferrell and Adam McKay to remind me of one of the better B-movie curios sitting on my shelf, a film that even combines their own site's merits of 'funny' and 'die' into one sharp satire that's already gone overlooked and underappreciated since its 2001 release (into a whopping ten theaters, it seems).

Series 7: The Contenders plays like a 90-minute marathon of a supposed TV show in which contestants are chosen at random and tasked with killing the competition. Everyday citizens have to take out other everyday citizens while the cameras are rolling, and the last man or woman standing wins, plain and simple.

It's funny in the ways it dead-on skewers the manipulations and absurdity of reality programming, and it's funny in more bleakly matter-of-fact ways as we grow slowly but surely engaged by the characters, just as the show itself would intend to. Besides, in what other movie would you see Paul Giamatti's mom from Sideways and the girl from the well in The Silence of the Lambs duke it out, with Will Arnett narrating throughout? Now that's something I would watch...

This week marks the premiere of the first of three film-to-television adaptations that will hit our TV's this year. ABC Family will kick things off on Tuesday with their spin of 10 Things I Hate About You, and in the fall, two will follow -- NBC's Parenthood and ABC's Eastwick (based, of course, on The Witches of Eastwick). In honor of this trio of shows, the LA Times has outlined not only the details of the new programs, but also the hits and misses that already litter television history.

The piece notes a few from recent memory, like The Sarah Connor Chronicles, Buffy, and The Dead Zone, but also notes some doozies that you might not remember. Did you ever catch Ferris Bueller co-starring Jennifer Aniston? Dangerous Minds? Baby Talk (an abysmal remake of Look Who's Talking)? One glaring omission -- especially in the wake of Nia Vardalos' return to film -- the shockingly bad My Big Fat Greek Life.

It's usually easy to forget that some films head for weekly programming because they're either too terrible to remember, or so good (Buffy) that they blow the movie out of the water. But with three new ones in one season, methinks we have a new trend on our hands. (One, I hope, won't inspire more Producers-esque remake vortexes.) As we come out of a holiday weekend sluggish and hopefully sated on barbecues and fireworks:

Will you partake in television's latest odes to Hollywood? And what about the ones that have come and gone? Which did you love, and which did you loathe? Or, do you just ignore Hollywood when it heads for the small screen?

If the true measure of a good trailer is that it makes you want to see the movie that's being advertised, my definition of a terrific trailer is one that makes you want to see a movie again -- after you've already seen it several times. The trailer for Martin Campbell's Casino Royale fits that definition to a "T."

Granted, any trailer for a James Bond movie has the advantage of familiarity. Yet that same familiarity can breed contempt, and the last two Bond flicks with Pierce Brosnan (The World is Not Enough, Die Another Day) had soured me on the spy that I once loved. The casting of blonde, undersized Daniel Craig did not inspire much confidence. But the Casino Royale trailer really raised my expectations, and the movie itself fully delivered on its promise. I've ended up watching the movie multiple times since its release.

In retrospect, the trailer gives away bits and pieces from the entire movie, but it starts smart by spending its first thirty seconds in black and white, then shifting to color and introducing everyone we need to know, squeezing in a bit of cheesecake (Eva Green in an evening gown), a touch of beefcake (Daniel Craig emerging from the ocean), and then revving up to full-tilt action, accompanied by a jazzed-up version of the James Bond theme music. Watching the trailer reminds me of all the high points and makes we want to see it again ... right now!

After the jump: Watch the Casino Royale trailer.

It's tough to lose a legend like Paul Newman, and the rush of DVDs, biographies, and rumor mongering don't make it any easier. The rush of merchandising seems to walk a fine line between actually honoring the person, and pure graveyard profit. You can decide what category Fox's upcoming Paul Newman Tribute Collection falls into. I'm going to err on the side of classy, even at its steep price of $89.98, because it contains a total of 17 DVDs. The list includes:

The Long, Hot Summer (the film that Newman Joanne Woodward met on)
Rally 'Round the Flag, Boys
From the Terrace
Exodus
The Hustler Collector's Edition
Hemingway's Adventures of a Young Man
What a Way to Go!
Hombre
Butch Cassidy and the Sundance Kid Collector's Edition
The Towering Inferno Special Edition
Buffalo Bill and the Indians Or Sitting Bull's History Lesson
Quintet
The Verdict Collector's Edition

The collection goes on sale on September 22. It's definitely a fine collection of films (and it's especially nice to include the posh Collector's Editions of films like Butch Cassidy, unfortunately the notes say nothing about the lesser known films like Exodus or Quintet getting the remastered treatment. Still, it's a chance for a lot of people to meet some gems of Newman's impressive career for the first time, and for longtime fans to rediscover a film they forgot all about. To sweeten the deal, the set comes with a 136 page softbound book with new photos of Newman, photos of cast, crew and sets of the film along with , movie excerpts, and personal quotes from the man himself. The book alone might help tip the balance -- he was possibly the most beautiful man to have ever lived! Who wouldn't want a nice book like that?

[via DVD Active]

As expected, Transformers: Revenge of the Fallen won't have the word of mouth to hang around Star Trek style, though its megaton opening has already made it the year's top grosser. It fell just over 60% in its second weekend to virtually tie with Ice Age: Dawn of the Dinosaurs' bow with $42.5 million in the estimates, though the final numbers will surely break the deadlock.* A 60% drop is by no means unusual for a movie that opened to well over $100 million, so don't think the drop is a badge of shame or anything. Mr. Bay is still very, very happy.

Dawn of the Dinosaurs, meanwhile, collected $67.5 million over the five-day holiday weekend. That's not a bad showing either; its franchise predecessor collected about that much in its first three-day weekend, but it had virtually no competition at the end of March in 2006. The third film's numbers are likely enough to keep the franchise alive.

I was impressed with the showing for Public Enemies, which really leveraged its cast and gangster movie hook to the tune of $26.2 million over three days, and $41 million over five. Michael Mann's current top box office performer is Collateral with just over $100 million; it's unclear that Public Enemies, which is lengthy, difficult and dark, will be able to hang on long enough to toy with that number. But I think it's already earned a minor victory.

*Edited to note: The deadlock was broken in favor of Transformers, $42.3 million vs. $41.7 million.

The full top 10 after the jump.

I guess this is the news that nobody was waiting for, but the threat of another Indiana Jones film has been inching closer to reality by the day, and now The Insider has received reports that Harrison Ford will be polishing off the fedora and the whip one last time. There have been rumblings about a fifth film ever since Crystal Skull first hit theaters, but now we've gone past rumblings and finally started to hear some details. Both Shia LaBeouf and producer Frank Marshall have recently confirmed that a film is in the works, and now, Insider's sources are saying that, "...filming will not start until next year, and it will not be released before 2011." Now, if you happen to be mathematically inclined, you might notice that Ford will be almost 70 by the time the film starts production, which would probably make for a slightly less 'active' Indy this time around.

I won't waste your time recounting all the ways that Indiana Jones and the Kingdom of the Crystal Skull was a let-down for fans -- you know things are bad when an unflattering 'buzz-word' is created as a tribute. But maybe it's possible that a fifth film could correct some of those mistakes. Call me naive, but there is a very (and I mean, very) small part of me that thinks George Lucas and Steven Spielberg may have learned their lesson, and will go back to what made the original films so great. Maybe this time they could capitalize on the relationship between Indy and his son Mutt to try recapturing some of that Last Crusade vibe? But, I guess we can take comfort in the fact that no matter what those two come up with this time, it certainly couldn't get any worse than what was ... or can it?

There's a new Japanese trailer for G.I. Joe: The Rise of Cobra making the rounds, and while it contains most of the same footage included in the previous trailer, this one does give us our first look at Cobra Commander (aka The Doctor), as played by Joseph Gordon-Levitt, in all his weird masked glory. In the screencap above, The Doctor is standing next to Destro (Christopher Eccleston) and the two are plotting to destroy the world and whatnot.

Perhaps it's because this Japanese trailer cuts around a lot and doesn't remain too long on any one scene that I'm digging it more than I did the domestic version. I think Paramount should just cut together a trailer featuring only Snake Eyes and Storm Shadow since those are easily the two coolest-looking characters, and their sword fight will most likely become a highlight of the film. I dunno ... maybe this one will surprise us in some ways and let us down in others ... but isn't that what we've come to accept from all of these based-on-an-80s-toy-line-or-comic-book movies? G.I. Joe: The Rise of Cobra hits theaters on August 7.

Watch the trailer after the jump